Wyclef’s Response To Accusations Of Yele Haiti

January 18th, 20102010-01-18T11:09:36ZF jS, Y | By mixmasterbrown

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“My commitment to Haiti is a unique and everlasting bond.”
“I formalized that commitment when I formed my first foundation, in 1994. From that day forward, I have spent tireless hours working on behalf of my homeland on development issues as well as human and immigrant rights.

“I have been committed to helping the people of Haiti throughout my life, and that commitment will continue until the day I die.

“It is impossible for me to even comprehend the recent attacks on my character and the integrity of my foundation, Yele Haiti. The fact that these attacks come as we are mobilized to meet the greatest human tragedy in the history of Haiti only serves to perplex me even further.

“I first learned of these baseless attacks when I left Haiti late Friday, where I had been since 12 hours after the earthquake.

“Let me be clear: I denounce any allegation that I have ever profited personally through my work with Yele Haiti. These baseless attacks are simply not true.

“In fact, I have, time and again, committed significant amounts of my own money to support the work of Yele Haiti and other organizations in support of our efforts over the years.

“More than that, I have spent countless hours, days, months and years of my life committed to the country of Haiti, the people of Haiti and the success of Haiti.

“These baseless allegations were first put forward by a fringe website with a history of pursuing sensationalist story lines. The mainstream media’s pursuit of them has required Yele to divert precious resources during this critical time in order to answer various inquiries. That must end.

“I will continue to commit my focus to what is most important right now: Haiti. Right now, Yele is working with its valuable NGO partners, the U.S. Government, the United Nations and so many others to save lives, honor those who have perished and get aid to the millions of Haitians suffering through the worst human catastrophe of our times.

“I will never give up on my commitment.”

Dagrin – Pon Pon Pon (Video)

December 12th, 20092009-12-12T19:33:48ZF jS, Y | By mixmasterbrown



Dagrin Has Finally Released His Most Awaited Video To The Smash Hit “Pon Pon Pon”
Enjoy it on http://djmixmasterbrown.com

Two New Shows Hits Afrijamz Radio This January

December 12th, 20092009-12-12T14:08:32ZF jS, Y | By mixmasterbrown

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Yours truly will be hitting heavy in January with two most advertised shows called ‘Mixmastazz’ and ‘Top 10 On Afrijamz (TTA)’
The shows concepts are being worked on by the producers and house members.
What would you like included on the shows or what do you think could be added to these shows to make it thick?
Much appreciation will be given to contributors since the shows are for the listeners and fans.
IDEAS?
SUGGESTIONS?
OPINIONS?

MATERIAL – DONT TRY ME

November 7th, 20092009-11-08T03:36:21ZF jS, Y | By mixmasterbrown

EKPE MASQUERADE OF CALABAR

November 5th, 20092009-11-05T23:01:12ZF jS, Y | By mixmasterbrown

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This masquerade is a wonderful example of African art. It originates from the Efiks who are from Cross River State of Nigeria.Ekpe masquerade used to be found only in the remote villages and are carefully handcrafted by the villagers using dyed raffia and wool to create a true representation of the masquerade. Only men are allowed to wear the elaborate masquerade costumes and in some cases women are not allowed to look at the masquerades. This particular masquerade is steeped with cultural wealth and probably goes back to the time of the founding fathers. The Ekpe Masquerade is used in ceremonies, songs, dances and is usually accompanied by cultural drama. This masquerades also comes out during chieftaincy coronations, seasonal celebrations and other important events. It is an important cultural event in the life of the Efiks and its roots are deep in traditional religion. The Ekpe Masquerade, the folklores (known as Ekong-Nkeh, Nke Ekong Abasi) and the Ikombi dance has won international recognition, they have become a form of entertainment in welcoming important dignitaries to the state and at events outside the state. It has become a trademark of the Efiks and is becoming more widely recognised.

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